{"id":1190,"date":"2020-03-12T13:58:38","date_gmt":"2020-03-12T13:58:38","guid":{"rendered":"http:\/\/www.allanforresterparker.co.uk\/?page_id=1190"},"modified":"2020-04-13T13:29:35","modified_gmt":"2020-04-13T12:29:35","slug":"trash","status":"publish","type":"page","link":"https:\/\/www.allanforresterparker.co.uk\/text\/trash\/","title":{"rendered":"Trash &#8211; Archiving the Poor Image"},"content":{"rendered":"\n<h3>Trash \u2013 Archiving the Poor Image<\/h3>\n\n\n\n<p>Illustrated &nbsp;essay examining the role of the&nbsp; \u2018poor image\u2019 \u2013 both digital and analogue \u2013 in artistic productions such as photobooks.<\/p>\n\n\n\n<figure><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/397674868\" width=\"640\" height=\"427\" allowfullscreen=\"\"><\/iframe><\/figure>\n\n\n\n<p>&nbsp;\u201c\u2026Image-creating\ntechnologies of the digital age do not accommodate the accident and variation,\nwhich processes that rely on the interaction of materials are heir to. These\nhave to be added afterwards by means of filters or digital controls. The\naesthetic provided by these devices is a given \u2014 it arrives fully formed and in\nconsequence is often of less interest to image makers for whom convenience is\nnot necessarily a priority.\u201d<\/p>\n\n\n\n<p> \u201c&#8230;an act of analogue rebellion in an obnoxiously digital world\u201d  &#8211; Teju Cole on the photobook  (The Guardian, 24 Feb 2020).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trash \u2013 Archiving the Poor Image Illustrated &nbsp;essay examining the role of the&nbsp; \u2018poor image\u2019 \u2013 both digital and analogue \u2013 in artistic productions such as photobooks. &nbsp;\u201c\u2026Image-creating technologies of the digital age do not accommodate the accident and variation, which processes that rely on the interaction of materials are heir to. These have to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":908,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ub_ctt_via":""},"featured_image_src":null,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Trash - Archiving the Poor Image - Allan Parker<\/title>\n<meta name=\"description\" content=\"Illustrated essay examining the role of the \u2018poor image\u2019 \u2013 both digital and analogue \u2013 in artistic productions such as photobooks Pure Land Press Montage\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.allanforresterparker.co.uk\/text\/trash\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trash - Archiving the Poor Image - Allan Parker\" \/>\n<meta property=\"og:description\" content=\"Illustrated essay examining the role of the \u2018poor image\u2019 \u2013 both digital and analogue \u2013 in artistic productions such as photobooks Pure Land Press Montage\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.allanforresterparker.co.uk\/text\/trash\/\" \/>\n<meta property=\"og:site_name\" content=\"Allan Parker\" \/>\n<meta property=\"article:modified_time\" content=\"2020-04-13T12:29:35+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.allanforresterparker.co.uk\/text\/trash\/\",\"url\":\"https:\/\/www.allanforresterparker.co.uk\/text\/trash\/\",\"name\":\"Trash - Archiving the Poor Image - Allan Parker\",\"isPartOf\":{\"@id\":\"https:\/\/www.allanforresterparker.co.uk\/#website\"},\"datePublished\":\"2020-03-12T13:58:38+00:00\",\"dateModified\":\"2020-04-13T12:29:35+00:00\",\"description\":\"Illustrated essay examining the role of the \u2018poor image\u2019 \u2013 both digital and analogue \u2013 in artistic productions such as photobooks Pure Land Press Montage\",\"breadcrumb\":{\"@id\":\"https:\/\/www.allanforresterparker.co.uk\/text\/trash\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.allanforresterparker.co.uk\/text\/trash\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.allanforresterparker.co.uk\/text\/trash\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.allanforresterparker.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Text\",\"item\":\"https:\/\/www.allanforresterparker.co.uk\/text\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Trash &#8211; 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